01

The artist

Where rhythm meets revolution.

Drummer. Music director. Show creator. Thirty years behind the kit, from Norfolk to Seoul to the Dr. Phillips Center — and a new kind of stage being built for what’s next.

 Est.

1994 · Norfolk, VA

The artist

Orlando, FL

Available

Worldwide

Booking

contact@naturalphil.com

02

The positioning

In 1994, the Norfolk press called an eleven-year-old drummer a prodigy. Three decades later, he's still learning.

From tours with Don Omar to music direction for the B.B. King All-Star Band, from Disney productions to creating Drum & Spin at the Dr. Phillips Center — he builds platforms as fluently as he plays them.

Next on stage

Drum & Spin returns to Judson's Live · November 2026

03 · The flagship show

Drum &
Spin.

The Rhythm. The Remix. The Story.

What

One drummer. One DJ setup. A stage that behaves like a story arc.

Where next

Judson’s Live · November 2026

Debuted

Dr. Phillips Center · 2025

04

Selected work

Three decades of credits.

The résumé, in reverse — from a Norfolk press mention at eleven to a Dr. Phillips Center debut.

2025

Drum & Spin — Dr. Phillips Center debut

Show creator

2020s

Guitar Center National Drum Competition

Judge

2010s

B.B. King All-Star Band

Music director

2010s

Don Omar — international tour

Drummer

2010s

Walt Disney World

Music production

2000s

Beat Shazam (Fox)

MoodDesigner credit

1994

First press mention — Norfolk, VA

Age eleven

05

The Sunday practice

Every Sunday since eleven.

First at his home church in Norfolk. Now as Band Director at Macedonia Missionary Baptist Church in Eatonville, Florida — one of the oldest historically Black churches in Central Florida, in the country’s first incorporated Black township.

He calls it his due service. The practice under everything else.

He calls it his due service. The practice under everything else.

Macedonia Missionary Baptist Church · Eatonville, Florida

06 · In development · Summer 2026

The Shakes.

A mobile studio. A pop-up venue. A room that comes to the neighborhood, not the other way around.

Better rooms for the artists who make them.

Built by a working artist because studios are expensive, venues gatekeep, and everyone deserves a better room. Get on the list before the doors open.

07

The Sunday practice

The catalog.

08

Lessons & mentorship

Trust your ears. Play what you feel.

Feel-based instruction for drummers building their own voice behind the kit. Selective. Limited slots.

09

Stay in the room

Dispatches from behind the kit.

New shows. New releases. Studio notes. Occasional, and never generic.